According to some creation theory, a story needs characters with several roles.
The āprotagonistā is the core of the story.
An āenemyā who opposes the protagonist.
The āsageā who helps the protagonist, gives him power, guides him, and so on.
The story also needs a āgatekeeper,ā āmessenger,ā āmoody person,ā or some such nuanced role, to put it crudely.
And I am categorized in the role of a āpranksterā.
If I were to use a slightly less common word, I would be called a ātricksterā.
My role is to mislead the protagonist, to change him, to encourage his growth, and sometimes to push him into a corner.
When the protagonist is pitted against the antagonist, or when the antagonist has yet to develop, the Trickster is the one to bring the story to a successful conclusion.
Itās exactly the kind of character Mary Parker deserves.
Well, sometimes I have guided the protagonist as a āsageā, sometimes I have stood in his way as an enemy, and sometimes I have lent a hand as a moody person.
So I can manipulate the story at will by getting involved with the characters a lot in that way.
⦠Oh, one thing I should mention so as not to misunderstand.
This is what is said in the theory of creation, but you should be careful because if you try to put the fun into logic, you will lose sight of what makes it appealing.
In short, I would like to say that there is absolutely no such thing as a āmust-doā method.
Because fun is not logic. Interest is an emotion.
To begin with, if fun could be logical, the world would be full of fun stories, wouldnāt it?
At the very least, works by publishers and other companies that generate money would never bomb.
Since fun cannot be logically defined, let me just say that it is better not to rely on the roles of characters or the creative theories that are talked about in high circles.
Itās fine to use them as references, but everything should be taken with a grain of salt, right?
āOops, Iām getting too far off topic.
Letās take a break.
Now thatās what Iām talking about, so and so ⦠I am acting in the dark as the āTricksterā, right?
As a result of acting in that role ā now the subheroine, who should have been defeated, is about to return to the stage again.
āAzusaās unpayed feelings might now be fulfilled.ā
After hearing those words, there was no response from Azusa.
āā¦ā
Her natural charm is gone, and now she just stares blankly at the void.
She is probably thinking about Ryoma all the time.
āWell, since thatās the case, I think Iāll go home.ā
Having finished my role, I gently pat Azusaās head and then slowly stand up.
With my back to her, I left the living room, and he immediately followed behind me.
āWait a minute.ā
Heās usually so soft-spoken, but when heās angry, he instantly becomes overbearing, itās scary stuff, isnāt it?
āYou said unnecessary things.ā
Heās a mob character, but heās quite formidable.
āNo, no, no, heheā¦. uhehe. Thatās nice, I like your face ā¦ā
Witnessing Kotaroās anger, I could not help but feel the corners of my mouth begin to curl up.
āFor example, letās say that Kotaro had given in to his impulse and punched me. If you can take on the passion of that unfeeling mob character with your own body, itās ⦠not a bad idea. I like pain a lot, it gives me the creeps.ā
It is wrong to expect a sane reaction from a mischievous clown.
You think youāre going to frighten your opponent when you get mad at him? Iām not a trickster who can reflect and make amends for my mistakes.
I can only enjoy myself.
āYouā¦!ā
When I provoked him, Kotaro took a step toward me.
However, I already knew that he would not be violent.
There was no way this mob character would be outraged by a character of my caliber.
So, instead, I would make this suggestion.
āLetās go outside for now. If you yell at me right now, the little animal in the living room will get scared. You donāt want to look so bad in front of your sister, do you?ā
Push and pull, pull and push.
Like a curtain, it flutters and flutters to confuse your partnerās emotions, and by the time you realize it, you are already in their hands.
ļ¼Now, letās move on to the next scene.)
I looked at the plot I had constructed in my mind and adjusted the flow of the story.