A professorâs lounge was kept to a high standard, always comfortable and spacious. It was especially so for Akkadâs, which was well-lit and elegantly decorated.
Before Akkad took the lounge, the college had already prepared almost everything, including a safe with a double lock. Of course, Akkad had also brought his things over, such as. . .
A beautiful record player.
Pathe was a famous record player brand from Britain. From the first rough-grained phonograph to the Compact LP type with 33 RPM, the century-old brand witnessed the history of record player development. It was one of the oldest brands in Europe.
The record player in the lounge was designed for Akkad during Patheâs centennial celebration a few years earlier. The name âReed Akkadâ was engraved on the arm.
When Qi Mu first met Akkad, he was attracted to the elegant record player. Records were the best medium to preserve the quality of symphony music. In the classical music industry, most chose to record with black vinyl if there was no cost-calculation.
While Qi Mu took the record from the safe, Farrell prepared the record player. When Qi Mu entrusted the album to him, Farrell asked, âWhere did you get such a beautiful record, Angel?â
Qi Mu didnât keep any secrets. âMin Chen gave me this record, Master Farrell, when I was in Vienna. He recorded some of Lisztâs works such as ăDanse Macabreă and ăReminiscences de Normaă.â
Farrell was stunned. He carefully placed the record on the player and said, âOh, it was Austonâs. . . Angel, Auston is very kind to you. He rarely records his playing and seldom releases albums.â
Qi Mu nodded unequivocally.
He knew Min Chen seldom released albums. He only owned one Chopin Complete Works and Beethovenâs Selection in his last life. So, when Min Chen gave him the record, he was astonished. If he hadnât been so busy for the past few months and had a record player, he would have listened to this record over and over again.
Qi Mu smiled. âAs far as albums go. . . Min Chen doesnât record much, but, Mr. Farrell, Iâve listened to all his albums on the market. I think theyâre great.â
Farrell completed the last of the preparations and looked at the young man. Qi Mu called Auston by his actual name. He chuckled and shook his head, convincing himself that, âYoung people are like that, they must be closer to each other than older people.â
âWell, Angel, look at the time. . . We might as well listen to the record, haha!â
Qi Mu nodded, and Farrell lowered the needle onto the record.
The record buzzed as it turned. Qi Mu sat on the bench next to the record player and waited for the music to start. Farrell sat a little farther away, enjoying it leisurely.
Few could surpass Auston Bertramâs piano. Even Farrell didnât mind enjoying his music and readily agreed to it. Of course, it would be better if he had another cup of coffee.
After a brief silence, a beautiful gliding melody rang out. It was Lisztâs ăDanse Macabreă.
It seemed like the pianist played five variations, but from the fast dance music, Qi Mu could feel the speed and intensity of its rhythm. Because he had seen Min Chen playing it half a month ago, when he heard it now, the scene played out again in front of his eyes.
Farrell was also delighted. He tapped his fingers along with the rhythm, and his smiling expression was full of praiseââ
Berlin Philharmonic Orchestra and Dresden Symphony Orchestra were the best orchestras in Germany. In recent years, the former had widened the gap. Although he didnât want to, Farrell had to admit it was Min Chen and Christole who created such a miracle.
Min Chenâs contribution was more apparent. At least in Dresden, no one could play such a beautiful and moving ăDanse Macabreă.
After ăDanse Macabreă ended, ăGrand Galop Chromatiqueăimmediately began to play. Then, there were ăRigolettoă, ăReminiscences de Don Juană, ăHungarian Rhapsody No. 3 and No. 7ă. By the end of ăReminiscences de Normaă, Qi Mu was immersed in the world of piano sonatas, unable to shake himself free.
Liszt wasnât crowned the King of Hungarian Piano for show. Like him, there was no mistake when Min Chen was touted as the King of Contemporary Piano.
Although Qi Mu couldnât hear Liszt since he lived and died over a hundred years ago, he believed the magnificent piano he listened to now would not lose. It might even be. . . comparable.
After 30 seconds of silence, Qi Mu said, âMaybe itâs over. Mr. Farrell, is it okay to just lift the needle and turn the record over?â
Two meters away, Farrell nodded and whispered, âRight, Angel. You just need to turn it over.â
Qi Mu tilted his head. His fingers gently pinched the silver-white arm of the needle, ready to lift it, when he heard a low, magnetic voice: âQi Mu?â
Qi Mu paused, his eyes wide. He looked at the black record, still playing static incredulously. He couldnât respond to what he had just heard.
Farrell raised his eyebrows. âHey? Did Auston speak on top of recording? What language is that? Was it Chinese? Was that Angelâs name?â
Without giving them time to react, the voice spoke again.
âQi Mu.â The man repeated, carefully, solemnly.
Qi Muâs hand on the record playerâs arm froze. He returned to his senses but still couldnât figure out what was going on.
Why did Min Chen record his voice? Why did he keep repeating his name. . . ?
A strange emotion surged in his heart, and Qi Muâs fingers clenched. He almost understood, but it quickly escaped his grasp.
Qi Mu didnât realize it was this hesitation that prevented him from stopping the record.
âQi Mu. . .â
âI like you.â
The young manâs eyes widened. He instinctively lifted the arm and removed the needle from the record. In his two seconds of hesitation, the pleasant voice already reverberated in the lounge. Farrell heard it clearly.
Even if it was in Chinese, Farrell had been to Huaxia more times than he could count in the past 40 or 50 years of his music career. He couldnât understand complicated words after such a long time, but he could speak simple greetings like âHelloâ and âGood Morning.â
And among what he understood. . .
The phrase that expressed love in such a simple sentenceââ
ăI like you.ă
The maestro, who was always gentle and ever-steady, looked at the youth beside the record player in a daze. After a long while, he asked, â. . . Angel. . . That, what Auston said. . . Does he like you?â
The young man before him had his head tilted down. He turned his face toward the wall.
From that angle, Farrell couldnât see that the young manâs eyebrows were knitted and his lips were pursed. But, his ears were red, almost dripping blood. The blush spread to his cheeks until his whole face was scarlet.
Qi Muâs heart pounded in his chest, his face burned and his fingers trembled as he moved the record playerâs arm away.
The whole world was covered in a veil, and his ears felt waterlogged. Even Farrellâs voice seemed far away. The only thing he heardââ
ăI like you.ă
It echoed in his ears.
This. . . What the. . . What the heck was going on?!
Just now. . . What he heard just now. . . What exactly was that?!
Qi Mu kept trying to hypnotize himself. Though, there was no way he could have misheard at such a close distance, not with his ears.
Farrellâs exclamation fished him out of his thoughts.
âGood heavens! Reed!!! Auston confessed to Angel!!!â
In an instant, the ăLittle Angelâs Violin Roomă group chat exploded.
Min Chen: ă. . .ă
Daniel: ăAh?!!!!!ă
Daniel: ăAh?!!!!!ă
Reed: ăDamn it, Auston!!! You really eyed my lovely student!!! You devil!!!ă