Chapter 56: 56 \nIf you look inside the blacksmith, there are all kinds of fire floors and fuigos, hammers and more. The other thing that catches my eye is a big hammer. If you look at it, the shaft extends outside at the top. Youâre the one who moves in the water wheel. Installation will teach you how to move it, so it looks like you can handle it.\n
The fire floor is not magically compatible, so I need to ignite it myself. Once you put charcoal in the fire floor, take the wood skin and straw that will be the fire exit, plus the sheet metal and hammer, and head to the gold floor.
When I put sheet metal on the gold floor, I hammer the edge thoroughly as I turn it upside down. After doing this for a while, the end of the sheet metal gets red heat. Straw on the wooden skin and let it touch the red-hot sheet metal there ignites the straw. Hurry up and take it to the fire bed, put it around the charcoal you laid, and then operate the fuigo until the charcoal caught fire.
After manipulating the fuigo for a while, add charcoal, manipulate the fuigo, and repeat. Itâs the part of our workshop thatâs magically daddy doing around here. All you have to do is throw in the charcoal and magically light it and send the wind. If youâre someone who can use more magic properly than me, you should be able to do the same on this fire bed, but somehow you canât help it because itâs the least you can do. And maybe people like that donât do blacksmiths.
The fire has turned enough and the temperature has risen, so stick in the sheet metal that looks like the best thing I had left and heat it up. When youâre done heating up, start stretching. Place the heated sheet metal on the gold floor and hammer it. Iâll try to make things as uniform as possible like the organization, but it kind of makes you feel a little different than usual. Because the hammers are different? I guess I should have had it from the workshop. This guy is a âbespoke modelâ so I slap him while I concentrate and put it off.
Eventually it became the length of the long sword. Itâs a shaping exercise from here on out. With the task of heating and beating, it creates a shape. The finished shape is a long sword with a straight blade section. The quality is rigid.
âOh, youâre doing it.â
Camilo has spoken out about where he has been so far.
âOh, in shape.â
While I answer that, I put my sword in the fire bed and raise the temperature. Prepare to cook. While manipulating the fuigo, identify the perfect temperature. Eventually, the sword was heated to the temperature as I thought it would, so I take it out of the fire floor and quickly cool it with water. When the temperature has dropped sufficiently, gently warm it again to the flame of the fire floor and let it cool this time. I polished and sharpened, and now Iâm supposed to be doneâŚ\n
âHmm.â
I was confused.
âWhatâs going on? Didnât you make it?
Camilo is worried about how I am.
âNo, I could do it, but I canât do thisâŚâ
Yes, it is. When I created the âbespoke model,â there was no such thing as brilliance in this sword. This is a good and âluxury modelâ. I know itâs âcheesyâ enough to do that in this short time, but itâs not good enough to say that weâre going to make the next family heirloom.
âIt looks good enough.â
âHey. Not this one.â
We also had firewood, just like our workshop, so we put straw on it and slash it with the sword we just struck. The straw was spat out. Firewood has a blade (âŚ) Ri (âŚ) Food (âŚ) In (âŚ) N (âŚ) So (âŚ) Y (âŚ) Ru (âŚ).\nâOh, thatâs so cute.â
âHey⌠this isnât itâŚâ
Camilo is excited, but naturally this is not how my special-order models cut off. This is a luxury model. When I take out my knife, I cut straw and firewood with it. The straw was cut with a ston of firewood. Itâs still this cutaway when itâs a proper bespoke model.
âOh, hey, nowâŚâ
âHmm? Yeah, when I mean it, I can make something that cuts this muchâ
âOh, reallyâŚâ
Camilo is pulling a bit. Well, Helenâs just really showed me the look, and you didnât show me the sharpness or anything.
âDonât say it all over too much.â
âI know. I mean, you wouldnât believe me if I said that.â
\nâNo. Youâre not.â
I noticed. If it doesnât work with just the ingredients here, you can also use ingredients that arenât here.
When I make the fire on the fire floor strong, I heat it with a knife for my rosy protection. Remove the red-hot knife and cut into about one-third pieces. Once the smaller sheet metal and the cut knife are alternately placed on the sheet metal and wrapped in a wet thin anesthetic cloth, stick the straw burning ash there and put it in the fire floor to heat. Itâs red-hot and looks like a chunk. Take it out, make full use of the cheat, and hammer it so the steel on the knife you cut with the sheet metal here sticks together.
I have repeated this task several times and once it has been put together, this time I will hammer it to extend, but not yet here until the desired length. Once extended to some extent, put a cut in the middle, fold it back and put it together again. This work was repeated about fifteen times.
The chunks thus made are heated again and now extended to the desired length. Knock the mullahs off so that things like tissue are as uniform as possible at this time. Now I donât feel uncomfortable when I first hit it.
extended to the desired length. There is no unevenness or distortion at all. Make a shape from here. Heat and beat and repeat. While taking a serious look at it so that the unevenness and distortion in the corners do not appear again.
Eventually, the shape is not like the first strike, but rather the part of the blade draws an elegant curve. I wasnât aware of it when I first hit it, but if youâre referring to it as a family heirloom, youâd better be this elaborate on the design. I was able to cook and bake, polish and grind everything perfectly with cheese.
I look at my freshly done self. This brilliance is definitely a bespoke model. Bring straw and firewood to set, and gently shake down the long sword you just made there.
At the next moment, the blade of the long sword bordered the ground, and the uneven straw and firewood were scattered on both sides of it.