The average filming period for a commercial movie hovered around three to four months. However, large-scale productions with significant budgets could take almost a year. Nonetheless, the most crucial aspects of filmmaking were the creation of the set and editing. Some directors even spent over a year just setting up and editing their films.
âHyung, where did you find such a child?â
Camera Director Do Janguk asked while wiping his nose in the cold.
âHow many times do I have to say I picked him up from Yeongdo Bridge?â
âIs that really true? At first, I thought you were playing a trick, and he was your son or something!â
âThereâs nothing this brat canât say after being around for so long.â
The Baek Janghun shooting team, also known as the crew, consisted of individuals who had worked together for a long time. Camera Director Do Janguk and Director Baek Janghun had known each other for decades, and Janguk would often joke that he had seen Janghunâs face more than his wifeâs.
âDid that kid have much experience in shooting movies?â
âWhy? Are you afraid heâll be sloppy, or are you scared?â
âThereâs no way that could happen. Iâve worked with cameras for years, and even if the acting is sloppy, it turns out fine under my hands. Besides, hyung has a good eye for casting. Iâm saying that since the kid came on set, the atmosphere has been strangely nice.â
Director Baek Janghun had brought the boy to the set about two weeks prior, and everyone was initially curious. It was like a young deer was suddenly following the lone tiger, Baek Janghun.
âCreating the atmosphere on set is usually no less tense than being in the military. Everyone is on edge because even a small mistake during equipment setup could lead to a significant accident, but that kid seems to act like a lubricant that connects everyone. The atmosphere has become much more pleasant because of him.â
âLubricant?â
âYou may not know this, but since a few days ago, heâs been preparing honey water in a thermos for the staff on set to help them warm their bodies. He even gives hand warmers to melt their fingers before using gloves, worrying they may hurt themselves. The kid is quite considerate.â
Baek Janghun looked at the boy quietly. Generally, actors who first come to a shooting set, regardless of their experience, are busy focusing on their roles and often miss the timing to create a good atmosphere on set. This could eventually lead to disharmony on the set. But this boy was different. Like a master of the house, he moved around the set, adding vitality to the tense atmosphere.
âHyung, are you really planning on using that kid for the role?â
âWhatâs wrong with him?â
âItâs not that, but itâs not just any role. He has to perform a chang[1]. Even if we do post-production recording, there could be subtle discrepancies. Given your personality, Iâm just asking if thatâs the picture you want.â
âNo need to worry about that. Bong Deoksu, our friend, already gave his approval.â
âThe intangible cultural property?â
Camera Director Do Jangukâs eyes widened.
* * *
âTeacher, youâre here!â
It was Bong Deoksu, the intangible cultural property, who had been teaching me the chang for the past two weeks. He had a beard like a sage and wore a traditional hanbok, which perfectly matched the shooting set deep in the forest.
âDid you practice without slacking?â
âOf course. Iâve been consistently practicing the vocal exercises you taught me and even rinsing my throat and nose with salt water every morning and evening.â
âGood, good. If it were up to me, I would raise you not as a movie actor but a traditional singer. But what can I do, as Iâm scared of that old man.â
Bong Deoksu exaggeratedly spoke of Director Baek Janghun. The two were old acquaintances. At first, everyone was surprised when they heard the cameo role was not an ordinary role but a child performing a chang. After all, learning traditional singing could not be done overnight.
HoweverâŚ
Was it a coincidence?
In my past life, I had been obsessed with acting. I had learned everything related to acting, so it wasnât an exaggeration to say that I had experience in musicals and even had extensive training in Korean traditional music, including samulnori[2], during my time in theater. After all, having more skills meant a better chance of getting myself cast in even a small role. Thanks to thatâŚ
It was quite troublesome.
Among traditional singers, Bong Deoksu, an intangible cultural property, had seen my skills and was moved, repeatedly asking if I had ever learned pansori[3] before. It was such a hassle. ButâŚ
Did my singing ability improve?
It was a question I had had since Yeongdo. While I had been quite confident in my singing skills in my previous life, it had never been this good. I had become quite exceptional after only two weeks of training with Deoksu. It was then thatâŚ
âThe drummer has finally arrived!â
Director Baek Janghun greeted Bong Deoksu warmly.
âDo you know how worried I was that you wouldnât come, Deoksu? Youâre not the type to appear on screen.â
âIf it wasnât for Janghunâs request, I certainly wouldnât have come. But my disciple Yeongguk is appearing, and as his teacher, I have a duty to watch over him.â
âThereâs no need to emphasize the words âdiscipleâ and âteacherâ so strongly. Youâre correct about the singing, though. Anyway, Yeongguk, do you know what you need to focus on during todayâs shoot?â
The filming location was a mountain valley with a waterfall cascading down. The scene showed a grandfather and his grandson unfurling a window in the middle of the valley. However, Director Baek Janghunâs instructions couldnât be that simple.
âI suppose the sunlight will be slating from the right, so you should try to point the camera to the left as much as possible, right? AndâŚâ
âAnd?â
âShouldnât we boldly shout out loud as if weâre really opening the window? Even if thereâs some noise, itâll still look cool.â
âRight, right. Itâs fun to have a conversation with you like this.â
Of course, the knack acquired through past experiences was meant to be utilized in such situations. A moment later, Teacher Bong Deoksu, who had been looking around the film set, suddenly shouted out loud. The staff hurriedly preparing for the shoot were startled and looked his way.
âDeoksu, youâre always the same. Whenever you come to a good spot, you shout first and then look at the scene.â
âI didnât feel comfortable since itâs my first time appearing in your movie, Janghun, but seeing this spot makes me feel at ease. Iâd like to come here often and practice.â
âFinding this place took a lot of effort. I had no choice but to go see the spots that hikers donât usually visit. Finding such picturesque spots with open views across the country is tough. With you and Yeongguk in mind, I chose these locations, so have fun today.â
At that moment, the AD approached and informed Director Baek Janghun that they were ready to shoot. Before I knew it, I had reached my goal of coming to Seoul. My name would appear in Director Baek Janghunâs work, an opportunity I hadnât had in my previous life. It would be a lie if my heart didnât flutter. As if sensing my thoughts, Director Baek patted me on the head and added,
âYeongguk, are you nervous?â
âTo be honest, yes, because Iâm so happy.â
âItâs okay. No need to be nervous. I trust you enough to give you this role, and you have such a great teacher by your side. Though I tell you not to be nervous, I also feel nervous about shooting after a long time. Itâs been years since Iâve felt this wayâŚâ
âAre you really nervous?â
Well, Director Baek Janghun wasnât called the godfather of the film industry for nothing. He had experienced various shoots on the land, sea, and air, so itâs unlikely that he would be nervous just because of a cameo shoot. However, Director Baek insisted it wasnât a lie.
âOf course, just because you have a lot of experience doesnât mean the excitement goes away.â
Especially on a day like today.
* * *
Frost covered the gnarled, ancient trees that had grown among the cliffs. The once-pouring waterfall had frozen into sharp icicles. Plump sparrows fluffed their feathers and proudly displayed their round figures over the frozen pond. As they scattered the yellow millet, it looked like a field of canola flowers blooming in winter.
âGrandpa, do we really have to come to a place like this to practice?â
The boy in the center of the frame seemed insignificant. His ragged clothes and unkempt hair, even the drummer who followed behind him with a drum, had the same appearance. At a glance, they looked like beggars from the streets.
âThough you can practice anywhere, itâs best to do it in a place like this, with open space and many listeners.â
âMany listeners?â
âDonât you see it?â
âNobodyâs here, though?â
The drummer smirked.
âThatâs a narrow-minded thought. Just because there are no people doesnât mean there are no ears to listen. Even if the street spectators were everywhere, they wouldnât compare to the creatures in this forest. The waterfall has stopped, and the buzzing bees have stopped as well. Theyâre all here to watch.â
As the camera circled them in an inside walk, the contrast between the performers and the beautiful natural landscape became even more prominent. The cinematographer held his breath, gripping the handle tightly.
He was so tense because of this: the intangible cultural asset, the drummer, had insisted that they couldnât rehearse to protect the young performerâs throat before the shoot. If the scene didnât turn out well, the staffâs efforts in setting up the shoot would go to waste.
Director Baek must be aware of this.
There was nothing unusual about casting a cameo role. In fact, the appearance of the performers and drummer added more vitality to the movie. However, bringing an intangible cultural asset as the drummer and a child actor as the performer, there must have been a limit to making up for the difference, even with post-recording.
âAlright, letâs have some fun!â
With the drummerâs beat, the boy smiled and began to sing.
Heâs only been learning for 15 days.
According to what he heard from Director Baek Janghun, the boy had only been learning for a mere 15 days. Even if he was taught by an intangible cultural asset, could an ordinary child actor become a great singer in just 15 days? It would have been nice if he could at least imitate a little. Thatâs when it happened.
Ah!
At the simple sound, as if just clearing his throat, the filming crew was astonished.
âUp on the mountaintopâ!â
As the mournful melody continued, the plump sparrows who had been pecking at the millet raised their heads. The fish swimming beneath the frozen pond began to gather around the performer and drummer.
[1]Â Chang refers to traditional Korean singing.
[2]Â Samulnori is a genre of Korean traditional percussion music.
[3]Â âPansoriâ is a Korean genre of musical storytelling performed by a singer and a drummer.