Time flies, and once the weekend comes, Golden Week will be upon us.
Nonetheless, for those of us who live in a dormitory and find it almost impossible to move away from the academy, itâs more like feel free to sleep in without worry week.
ăNow then, letâs get moving. The other classes are in the middle of lectures, so please donât cause any noise by all means.ă
At Midori-senseiâs command, the sound of chairs scraping echoes through the classroom.
ăHey, Sei~chi~, wake up~.ă
ăHuh?ă
Mai shakes Seiichi, who imprudently nodded off right after the class started, awake.
The class Midori-sensei in charge of isăIntroduction to Labyrinthsă.
She is in charge of the wide but superficial fields pertaining to lectures necessary for dungeon conquest.
The content of todayâs lecture is an explanation of the academyâs facilities.
The facility to be covered is the place where they perform class changes, ăCathedrală.
This period of time before the consecutive holidays, every year it seems to be the time when the early students gradually reach the point of being eligible for class changes.
Well, in our first year third group, there are already quite a number of classmates who have already achieved it.
ăFwah⊠Time for meal?ă
ăDidnât you just have a meal a while ago, Grandpa? Rather, wake up already.ă
Leaving aside the two, who act like a couple in their 60s, this will actually be the first time we are going to theăCathedrală.
It seems to be a place to have class change only, so itâs not fated to us who are enjoying the graces of Interface.
As I feel a strange sense of immorality of walking through the corridor while classes are being held in other classrooms, we come out to the courtyard.
The courtyard, with its wide space allotted, boasts magnificent gardening that I canât help but admire every time I come here.
It is popular as a place for students to relax and refresh themselves, as well as a moody spot for outdoor sex.
When my eyes meet Shizukaâs, her cheeks blush with a puff as she holds my hand, but right now weâre in the middle of a class.
Itâs good that she seems to have been able to considerably control the synchronization of emotions triggered by our contact.
It would be a little awkward if she suddenly caves in.
ăUnlike in the dungeon, you get bitten by mosquitoes here, right?ă
As expected the freedom couple, Mai x Seiichi, seem to have already given it a try.
I did once use it too due to some inevitable circumstances, but I think Rinko-senpai might have used some insect repellent items, and it hurts when I get pinched.
I feel a strong passion of letâs overwrite those memories from Shizuka-san.
ăThis shall be theăCathedrală.ă
A lot of the academy facilities are a blend of Japanese and Western architecture with a Taisho-roman flavor.
However, the building of theăCathedrală is a compact, chalk-white one, as if itâs a chapel.
ăIn this building, there exists the facility to perform class change. Some among you have already used itâŠă
How should I put it, just like Rashomon, I feel an uncomfortable sensation as if my skin is crawling.
A foreign sense to reason, or perhaps an outlandish sense of the existence of something nonexistent.
ăIt seems that this thing has been here from the beginning, you see. I guess the exterior were built afterwards, though.ă
Seiichi, with his hands thrust into his pockets, has a crooked smile on his face.
ăIt seems that this thing and the entrance to the dungeon are the only ones that have been here from the beginning. Way before they were discovered by someone.ă
ăWhat do you call it again, such thingsâŠ. An OOPArt?ă
It reminds me of round stones or a crystal skull.
If I remember it correctly, I have a feeling that it meansăout of place artifactsă, items that could not have been created in the place or age they were discovered.
ăI know neither the mechanism or the principles, but I guess itâs like: weâre using it since itâs usable anyway.ă
ăHmm, but isnât such a thing the same as with smartphones and televisions? From my point of view, sung things are no different from magic items, after all.ă
ăDamn straight.ă
Inside the hall, illuminated by the light streaming in through the stained glass windows around the ceiling, is a semi underground, how should I put it, stone circle historic ruin.
The multiple circles and geometric patterns drawn all over the floor seem to be made of a mosaic with some sort of fine stones inlaid within.
There are ten stone pillars standing at equal intervals, and the way they are wrapped with shimenawa is very mismatched.
It has the vibe of a shrine with a blend of Japanese and Western styles.
Taking a glance at the floor pattern and the position of the stone pillars from above, it doesnât look unlike the Sakefuneishi archeological site, or rather a systematic tree.
According to Midori-senseiâs explanation, the rock standing in front of us is called theăAltar of the Crown (Kether Altar)ă, and it seems that we can do first step class change with it.
In accordance with the superior class change, we seem to use theăAltară deeper inside.
TheăAltară, or rather the rocks, seem to have their own names, such asăAltar of Wisdom (Chokhmah Altar)ă, ăAltar of Mercy (Chesed Altar)ă and so on, but I forget it in an instant.
But, it would seem to appear in tests or something.
By the way, theăAltară in charge of it seem to vary according to the class branching.
ăHuh, doesnât t the floor seem to be kinda glowing?ă
Mai, stretching herself, is peeking at the inside of theăCathedrală.
Itâs not a very large facility, so all of the classmates are unable to enter at once.
We, who are not interested in it, are stuck in the position at the back of the group, looking down on them from the gate.
ăThis⊠it seems that among you, there is someone who has come to able to do class change.ă
Midori-sensei makes a somewhat surprised look on her face.
Looking at theăAltar of the Crown (Kether Altar)ă from the entrance, the mosaic pattern on the floor seems to be warmly glowing, navigating like a path.
Originally, it seems that class change is a ritual that is performed as you enter the shine one by one.
Should you earn the qualifications, the path to the availableăAltară would react in such manner.
Iâve heard that the results of the class change are random, but in case you receive undesired results, I guess the system is for you to choose between starting over from the first step or from the second step onward branching class selection.
For example, letâs say you turn from the first stepăFighteră into the second stepăKnightă, if you have a re-class change at theăAltară forăFighteră, thereâs also a possibility for you to turn into similarly second step class ofăWarrioră orăSamuraiă.
If you find it fine to not start over from the first step class change, exploring the class doesnât seem to be that much of a bitter act to do either.
Moreover, if I use this place, I might be able to redo the first step class change selection too.
ăThere are cases where measurement errors occur on the notebookâs level display, so for those who may have some idea, please give it a try later.ă
It seems that they are unable to tell to the point of who it is responding to.
It would surely take some time for all of us to touch the stone monument.
More or less, the mechanism seems to be for it to react to the person with the highest level among those who have come to be able to do classes change.
ăMidori-chan, I have a question.ă
Perhaps in the hope that by any chance it is him, among the classmates who are buzzing and getting excited, one boy raises his hand.
ăThereâs a door-like stone gate at the far end, what may that be? Could it be the one for SSR?ă
ăI think you may know it, Midori-chan.ă
ă⊠No, itâs a sealed door called theăAltar of Secrecy (Daâath Altar)ă. No, it may be thought as such, but the door has never opened up until now. It is speculated that it ought to be for the use of class change of a step no one has ever reached before.ă
Explains Midori-sensei from inside theăCathedrală, facing towards us at the entrance.
Even the classmates, who have been teasing her for fun, end up turning quiet in a somewhat strange manner.
Being earnest is a good thing to do.
ă⊠Say. Itâs open, isnât it, the door?ă
ă⊠Just your imagination. Itâs called an unopened door, after all.ă
The field trip is mostly over, so I concede the spot to Shizuka.
As I take a peek at the depth of the hall since I hear a clunking sound from there, another clunking sound echoes.
For some reason, Seiichi and Maiâs gazes are refreshingly wet.
ăSomething the matter?ă
ă⊠Yes. Touma-kun, how about we go over there?ă
Mai holds her eyebrows and lets out a sigh.
Geez, thatâs how happiness ends up running away from you.