Volume 7, Chapter 4: Talks with the Ink Guild and Its Successor (Part 2)
This chapter is updated by wuxiaworld.eu
âMiss, would you like to come to my workshop? Iâve already laid out all the materials I wanted to show you. Dad wasnât happy about that though.â
âYes, please! I would love to come!â
I knew that Heidi and I already shared a special connection. We both got up from our chairs at the same time, but our own mentors pulled us back down.
âWe are still talking!â
âHold on, you blockhead!â
Our guardians yelled out simultaneously. Benno was still gripping me and left out a deep sigh.
ââŚFine, I will take charge of selling the ink. We will only resume monopoly over the ink for Myne Workshopâs plant paper, as well as the coloured ink. We will let others take whatever else is left. That should keep the guildmaster distracted.â
âSounds fine. I appreciate it, thanks for everything.â
That marked the end of Benno and Bierceâs endless discussion, we had finally decided on the new seller.
âI can go to the workshop now, right?â
âWe need to start making that ink.â
Heidi and I exclaimed, and Benno beckoned Lutz over and patted him on the back.
âWatch over them, Lutz. Looks like we have two Mynes now.â
âMister Benno, youâre asking too much. One Myne is already enough for me.â
Bennoâs expression turned into that of worry, but I just brushed it off with a wave goodbye and made my way down to the ink shop. Of course, Heidi got impatient at the speed I was walking and ran off first so that she could set up the materials first.
Bierce was worried that her actions offended me and apologised in her stead. But I didnât mind it at all.
âHey, Lutz. Whatâs your thoughts on Heidi? I find her funny and talented, but sheâs also kind of odd too.â
ââŚThe potâs calling the kettle black.â
Bierce led us into the workshop which looked more like a science lab you would find it schools, it didnât look like a place to make ink. The place was packed with lots of tools and the craftsmen were using scales to measure out the amount of ingredients they would need to make ink. The ink for plant paper was made in another corner of the place.
I noticed there were already a couple of containers filled with ink, and behind all that was Heidi getting reprimanded by a man who seemed to be in his twenties. He was pretty much telling her to âwork first, play later.â
âBierce, does Heidi need to work on something else?â
ââŚNo, you donât have to worry about that. Hey, Joseph! Stop scolding Heidi, sheâs receiving a customer today,â Bierce yelled at him across the room.
Heidi whipped her head around with a cheerful grin, but the guy who was supposedly Joseph was stumped.
âBoss, are you right in the mind?! Youâre letting Heidi receive a customer?â
âThis lady is an important customer who wishes to develop coloured ink and would like to pay for a quarter of the researchâs cost. Thereâs no need to force Heidi to stop her research. We can let her do as she pleases as long as she doesnât cause trouble.â
The words they exchanged told me how the others saw Heidi.
âLady Myne, please meet Joseph. Heâs Heidiâs husband and the future head of this workshop. It will be great to have the both of you working together.â
âHi, Iâm Myne, the head of the Myne Workshop. I would like to buy the plant paper ink and help out with making coloured ink,â I Introduced myself.
Joseph sighed in relief at my presence, he seemed to be worried about the poor sales for the plant paper ink.
âThis is everything we have made for now.â
âPlease deliver them to our store by tomorrow,â Lutz said.
He was here to buy the ink on behalf of the Gilberta Company, after which it would be sold to the Myne Workshop. This seemed like a troublesome process, but it was a necessary one.
I left Lutz to his own devices and went to look around the workshop. Samuel and Gil had tagged along to and seemed intrigued by the place too, they wanted to know more about life in the lower city.
âLady Myne, please come here.â
I made my way over to Heidi and noticed that the table was lined with an array of materials. They have been crushed into a powder form, so I didnât know what they were. I also noticed that there were different types of oil too.
âHeidi, what oils are these?â
âI tried to gather as much as I could find. Linseed oil might not be the best one after all, right?â
âYeah, I had the same idea too.â
One crucial factor for making ink was the drying oil, but the closest thing to that available here was only linseed oil. I came to know of its existence when I saw the clothes in this world. Clothes were made from the same plant, in this case the oil was extracted from its seeds. However, linseed oil was expensive because of its limited supply. I wanted to find alternatives to it, so it would be good for me to know the various types of oils that existed in this world first.
âThere are some oils that become solid when left out, while others donât. The former are great for making ink. They are called drying oil,â I explained.
âHm, only a few oils are like linseed oil. Misse, bedgam, ise and term oil,â Heidi grabbed the respective oils as she listed them out.
I quickly took out my diptych to scribble down all the oils she mentioned.
âI usually make ink by crushing the ingredients first, after that Iâll add in the oils. Here we go⌠this yellow powder should make an ink close to yellow and brown.â
âAlright, weâll try it out. Joseph, help us a little.â
Heidi gestured towards Joseph and he came over to mix the oil and powder on top of the stone workbench.
ââŚHuh? The colour is different!â
âW-why though?â
This yellow clay should have made a yellow-brown ink when mixed with the oil. But it had turned into a completely different colour, that was a light sky blue. I was completely bamboozled by this.
âW-we can try another oil first.â
Joseph and Heidi continued to mix the powder with the different types of oil. First was misse, then bedgam, and ise, finishing off with term. Only ise had made the yellow ink I was expecting, the others had made ink of red and a green-blue one. My mind froze at this. We just stared at the different colours on the table in silence.
âWhatâs going on?â
âI wasnât expecting the oil to drastically change the inkâs colour. It was definitely a shock, but I guess thereâs nothing wrong with being able to make this many colours with the same ingredient, huh.â
Joseph was rubbing his sore shoulders and looked back at me with exhaustion on his face.
âDidnât expect you to be this optimistic.â
âWell, we are trying to make coloured ink, Iâll be happy with everything we get as long as it isnât transparent.â
I recorded our observations on my diptych, hoping to figure out a clue to this absurdity. On the other hand, Lutz was looking at the ink with a hand to his face.
âWhatâs going on? How did you even get these results?â
âAre you interested? Itâs such a strange thing, right? Donât you want to know why too?!â Heidi cheered and gathered Lutzâs hands into hers. She had the smile of a mad scientist. She was someone who was interested in uncovering anything that interested her.
I slammed my diptych close.
âHeidi, we donât need to know whatâs going on with these ink right now. We should focus on figuring out what colours we can make from mixing them around.â
âWhat?! Such an interesting thing is unfolding before your eyes, and youâre not even a tiny-winy bit interested in finding out why?â
Heidi turned her gray eyes towards me, her gaze was mixed with shock and betrayal. Then Joseph reached out to grab her head.
âStop it! Lady Myne isnât crazy like you!â
âCrazy? Thatâs rude, man. Here I was thinking we would make great comrades.â
I could understand where Heid was coming from, but I didnât have the time to get sidetracked right now. My priority was to get coloured picture books for my younger brother, Kamil. Even though I didnât have the time, I wasnât going to disregard anyone who wanted to conduct research on this though.
âI prioritise the result over the process right now. Whatâs important is that ise made the colour I wanted. Weâll try using the blue powder with isse now. We might figure out some patterns to develop the colours we are looking for.â
I gestured towards the blue powder. Heidi nodded back to me.
âYouâre right. Letâs continue.â
Ise had made the yellow colour I was intending for, but this time it made a bright yellow mixture when mixed with the blue powder that resembled lapis lazuli. This colour was great for painting sunflowers, but it wasnât the colour I wanted. After mixing around, only linseed oil kept itâs lapis blue.
ââŚWeâre going to struggle a bit,â I commented while reviewing our results on my diptych.
Everything I knew seemed irrelevant in this world now. With the number of ingredients and oils we have here, we might end up with a never-ending selection of colours.
We have a long road ahead of us.
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